Statement
I think I’m bored of my own life. The trouble with being a neurodivergent woman is the constant reinvention of oneself — the endless shifting, reshaping, re‑masking. Until I couldn’t anymore. And I had to face myself. My actual self, not the rooms of hanging masks I built to survive.
Micro‑Essay — Rooms of Hanging Masks
I think I’m bored of my own life. Not the living of it, but the endless performance of it — the constant reinvention that comes with being a neurodivergent woman who learned early that survival meant shapeshifting. I built versions of myself the way other people build wardrobes: seasonal, situational, strategic. A different self for every room, every person, every expectation.
It worked, until it didn’t. There comes a point where reinvention stops being evolution and starts being erasure. A point where the masks you hung so carefully begin to feel heavier than the face beneath them.
I reached that point. I couldn’t reinvent anymore. The machinery jammed. The old tricks stopped working. And suddenly there I was — facing myself without the buffer of performance, without the curated versions, without the rooms of hanging masks I’d lived inside for decades.
It wasn’t dramatic. It wasn’t cinematic. It was quiet, almost boring in its simplicity. Just the realisation that I had run out of selves to become, and the only one left was the actual me.
And strangely, that was the first moment my life stopped feeling boring at all.
Micro‑Essay — Rooms of Hanging Masks
Brutal Version
I think I’m bored of my own life. Not in a dramatic way — just in the way you get bored of a story you’ve told too many times. The neurodivergent female trick of constant reinvention stopped being clever years ago. It’s exhausting. It’s camouflage. It’s survival dressed up as personality.
I built selves like barricades. I hung masks in every room and walked between them depending on who needed what version of me. It worked until it didn’t. Reinvention became a trap. A performance I couldn’t step out of. A habit that hollowed me out.
Eventually the machinery failed. I couldn’t shift shape anymore. I hit the wall — the real one — where all the masks looked stupid and all the versions felt fake. And there I was, face‑to‑face with the person underneath, the one I’d avoided by being everything else.
It wasn’t healing. It wasn’t poetic. It was a confrontation. A reckoning. A stop.
And the truth is simple: I ran out of disguises. I ran out of reinventions. I ran out of rooms.
So I met myself. Finally. And she wasn’t boring at all — just buried.
Footnote
My statement is the top statement AI added fluff to its version I like some of it, but always to many words, I don't need so many words anymore.

Comments
Post a Comment