(My art revisited)
Intro
I’ve spent years trying to define myself through artist statements — always searching for the right words, the right angle, the right explanation of who I am and why I make what I make. I don’t bother with that anymore. I am my own muse. My work comes from lived experience, instinct, memory, and the objects that have followed me through my life.
Still, I thought I’d share the statements I’ve found along the way — the fragments, the attempts, the versions of me that tried to pin myself down. They’re part of the story too.
Artist Statement — Alison Friday (b.1973)
Last modified: 19/11/24 this version.
My artistic intention is to create harmony through colour, structure, and composition. I have a natural penchant for drama in the objects I choose — a frisson between old toys and childhood trauma, damaged and broken things that still carry their own beauty. I’m drawn to the juxtaposition of childhood memories with adult comfort and discomfort, pushing and pressing until emotion rises to the surface.
I am a self‑taught artist with a passion for creative making and the art of the stitch. My practice spans collage, mixed media, and textile work. I’ve facilitated art workshops, contributed crochet pieces to a published book, and collaborated with various art groups. Modern computer skills remain a challenge, often to the detriment of my work, but my hands and materials have always been my strongest tools.
I’m inspired by female modern masters and by my interior surroundings — the beauty found in everyday vintage objects. My still‑life scenes often feature artefacts, keepsakes, and evidence of the past. My work is layered: drawn, painted, stitched, and assembled, always with floral elements threading through.
My house is my gallery and my constant source of inspiration. The foreground toys in my compositions come from my childhood — some real, some imagined — forming a bridge between memory and the present moment.

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